He is one of the world's leading figures in urban art, alongside Banksy and Shepard Fairey. Invader began his global invasion project in 1997. Since then, he has placed more than 4,000 mosaics in the streets of major cities. All of them are referenced and published in invasion maps and guides. They are also geolocated and can now be hunted via the 'Flash Invaders' app.
In parallel with his street work, which is free and intended for everyone, Invader has been developing his studio work since 1997. Based on pixels, it can take the form of mosaics similar to those found on the street, known as Alias. But it also comes in the form of Rubik's cubes (Invader has referred to this as Rubik Cubism since 2005), invasion kits, ceramics and glass paste on panels, and lithographs and screen prints.
From 2009 to 2015, the Le Feuvre gallery, then Le Feuvre & Roze, represented Invader in France. The gallery is a leading source for the artist's work. It has devoted three exhibitions to him: 1000 in 2011, then Invader: Masterpieces in 2017 and finally Invader: Part 3 in 2022.
For the first time, the Jonathan Roze Gallery is presenting a collection of lithographs and silkscreen prints, all referenced in the catalogue raisonné published by the artist: Prints on Paper.
An alias from Hong Kong, HK-50, is also on display.